Just a quick test post using the new wordpress client for my Android phone.
This opens all kinds of new possibilities.
Just a quick test post using the new wordpress client for my Android phone.
This opens all kinds of new possibilities.
January has been a rather quiet month here at newcurator so there’s plenty to catch up on. Most of last week I had that wonderful seasonal sickness that turned simple thought processes into mammoth tasks.
Then, all of the bandwidth was used up. Bizarre really. Normally, each blog post brings in a predictable amount of traffic. The fact that I wrote far fewer than normal suggests something may be going on. I can only imagine that there are many people who use Firefox with Javascript and ad-blocking software, which knocks out the Google Analytics code. Putting me on your allow lists may help.
We come to the crux of the problem. for the umpteenth time, I’m more popular than my means. I don’t make any money from newcurator. It all goes back into whatever costs come up. I’m relying on the goodness of your heart to do one thing: There are a few Google Ads on this site. You click them, I get a few pennies, you take taken to a site, then you can immediately close the page. You don’t have to buy anything or sign up. I still get the pennies.
Don’t go crazy with several hundred clicks. Google thinks that’s cheating.
Thanks to everyone for supporting me. I managed to scrape by last year’s bandwidth costs. I’ve got plans for burning up this year’s already.
Konnichiwa. I have return from the Island Fortress Hideaway. It was very pleasant week all round.
For most of that week, I found myself writing a good few thousand words of a novel for NaNoWriMo. You can see my profile here. Add me as a writing buddy if you’re doing it too. I know, I am massively behind the word limit. But I think two good days and I’ll be back on top of it.
I may, at some point, start talking about it on here every once in a while. It is about museums and the future, after all.
I’ve neglected the various parts of the newcurator datashadow, so I’m probably going to be focussing on them for a while whilst I play catch-up. You can find me at:
Delicious – Where I throw the various articles that have caught my interest.
Tumblr – Mainly, something of a scrapbook for images. I don’t tend to reblog or use text that often, and I’ll follow back anyone who isn’t looking like a spambot. I think I’ve only blocked one person for being downright disgusting.
Twitter – My Almighty Pulpit to the Outside World. I’m over 2300 followers, almost at 2000 followings and rapidly approaching 2000 tweets. As for the dramatic difference in who I’ll follow back, it’s mainly down to the fact that I don’t have a clue who they are and what they do. I will always follow back any artist or museum worker. I’ve extended that pretty far to mean almost anyone associated to that realm. There’s a few culture magazines, many kinds of designer, plenty of freelancers and a variety of students in various states of graduation or employment. It would help if you told me if I should be following you. @ or DM me.
I still continue to block snake oil salesmen. I do love the “Report for Spam” button. I’ve also created a couple of lists, “Museums” will just be a short list of museums I’m trying to pay a large amount of attention to, and “Museum Shinobi”, which I hope will turn into a comprehensive list of people working within museums. I may make an “Artist” and a “Museopunk” list soon, but without a decent RSS feed on each list I’m in no rush to do it yet.
Facebook – This still doesn’t have a plan. It’s a great way of discovering artists though. I get a new one every day and I do like looking through their work. Otherwise, feel free to follow me. It seems to be used as an informal way to contact me. Not as official as a blog comment, not as direct as an email, not lost in the masses of a twitter response. I’m kinda happy with that.
Flickr – People make me a contact, I return the favour, the whole friends RSS feed going into my feed reader. So I see all. Otherwise, I don’t use it for much. When I use photos in blog posts (something I do rarely anymore) I look on Flickr and add them to my favourites. Otherwise, I don’t use it for much.
Last.fm – Haven’t listened to anything in ages. Will correct that today. Try to friend me on there if you like, but I will judge if I want your music in my Friends Playlist. Radio Newcurator is still plodding along. Someone keeps listening to a lot of 80s synth. The people in that group tend to know me in some form or we have something more than just a one-off contact. Don’t let that (or the 80s synth) put you off. Probably best to say if I know you on another network.
And of course, the Museopunk network. It’s been a bit quiet recently but I hope to kick it around a bit. Go join.
MacGuffins
Museums have been around in the real world for a while and a rich set of understandings and expectations have grown up around them. But the web is still something like a western boom town. We’ve tossed up some buildings overnight but we have yet to live in them for very long. Some are just facades.

Facade by Jeff Doyle. Used under Creative Commons License
So far museums have done a better job of putting their content online than they have of reproducing the social architecture and topology of “the old country.” With only a few notable exceptions, most museums web sites are not “places” in a way that even remotely compares to their brick and mortar counterparts.
My sense is that most museum web sites do a pretty good job on the content side compared to how well they do on the social side. Museums don’t necessarily understand the social function of objects and spaces in their own museums and thus aren’t able to reproduce those functions online.

Museum by Jeff Doyle. Used under Creative Commons Licence.
What is the role of this painting (Picasso’s Artist and his Model) and this museum (Pinakothek der Moderne) in these young people’s lives? I couldn’t even find this painting on the Pinakothek website, but supposing I could: do you suppose they would provide anything remotely resembling the same “value proposition” to website visitors the the physical museum is providing here? Has anyone gotten married to somebody they met at your museum website?
Museums are places to make passes at people who wear glasses. They are places to show off your new wardrobe, practice your French pronunciation, people-watch, eavesdrop, and show off the fun facts you learned about Matisse or the boiling point of helium, or just stroll with a friend…
It’s hard to do any of those things at most museum websites, though if you think about it, you can do some of them on Flickr. Flickr has done a pretty good job at turning digital images into social objects.
Sociologists speak of “boundary objects” serving as interfaces between different communities of practice. There is a sense in which all museum objects serve as boundary objects. But the interactions occasioned by those objects are phatic as well as interpretive. Objects serve as pretexts for both small and big talk. They are the MacGuffins of our personal and public dramas; they create social possibilities that would not exist otherwise.

MacGuffin by Jeff Doyle. Used under Creative Commons Licence.
In object-centered social interactions, objects play the role of the ball in soccer, the cards in whist, the book of “Launcelot” in the story of Paolo and Francesca, by Ingres (above left).
Obviously, people won’t do exactly the same things in online museums that they do in real museums. But they will certainly want an equally rich experience. And for that experience to have anything to do with a museum’s mission, it is going to have to include social objects. Otherwise we might as well go to bar or chat with our friends on Facebook.
Objects are props. They share a social space with humans. The social space they share is the museum.
Jeff Doyle is the Technical Director at Zirgoflex, who are developing the software that powers Open Museum Online. You can also read his blog and follow him on Twitter.
I’ve got a few things I need to do this week, including a much needed tidy-up of the top right of this site. Then I’m basically be off-grid for a week as I’m leaving the country for a week.
I will be handing the keys over to August for that time with the only instruction of “Go nuts”. Should be interesting.
It would also be really good if there were some guest posts just to keep things ticking over. I don’t like getting overly editorial, nor do they have to be very long.
As a set of guidelines, I like articles about the future of museums or strange underground movements in the museum world. I do like opinion pieces if they’re about a really interesting topic. I don’t exactly have a list of what I don’t want, apart from I try to avoid review-style posts.
Ideally, I need to get this all set-up and scheduled before I leave. Email pete(at)newcurator this week if you’re interested.
How do I get myself into these things?
Thinking out loud on twitter, I said how I was thinking aloud that newcurator should have a weekly comic strip. Some kind of simple sitcom interlude.
Well, too many people liked the idea.
So I had to take it more seriously. After a weekend of thinking, I’ve come to some conclusions.
1) The idea of a possible four-panel strip about museum volunteers has something about it to work as a plot.
2) I cannot draw.
3) I’ve not been able to design some kind of stick-figure style that I can use to get over this.
4) I do not feel right asking people to help with this.
I know what I want it to be like. Think about Diesel Sweeties by the excellent R Stevens. That style means he doesn’t have to make a brand new strip every other day, he can copy and paste the characters and make minor adjustments (Well, he could. Truthfully, I have no idea how he works). Something like this means I could concentrate on writing rather than spending lots of time drawing features on character faces.
Look at Zero Punctuation by Ben “Yahtzee” Croshaw. I love how this looks. It’s essentially stick figures, but there’s a style to it (that I’m in danger of ripping off if the early drafts are anything to go by). Again, simple, circle hands, circle heads and a variety of eye expressions. Some cutting and pasting and it looks good.
Oh, and don’t suggest stick figures. XKCD.com has all that sewn right up.
So, I’m screwed. I can write the damn thing, just no way to make it. I experimented with characters with QR codes for heads. It didn’t work.
To everyone who came back with suggestions or offered to help. Thank you every much, but I’m just not sure. Several people recommended programs or websites with comic book templates. This is instantly sticky. The main reason I haven’t completely ripped off Yahtzee is because I don’t want to get sued and maybe want to make a t-shirt. I’ve looked at them and didn’t feel the copyright issue was solved.
Massive thanks to the artists to offered to do something, but again I’m not sure. This is for a few reasons. Nobody will get paid, except maybe me and Google ads and possibly a T-shirt (which again throws up problems). I remember early ArtFridays. People were busy, which is fair enough, but some weeks I couldn’t get 20+ artists to get me an image of what they’ve done.
No, I would need to do this myself. I don’t feel right asking someone to commit to it every week with very little going back to them. Especially when they’ve got better things to do.
I did toy with the idea of an “open source” comic. I write the character descriptions, biographies and the scripts, a small online community do one-four panels each. Again, have no idea how this would work. It could probably be an interesting experiment, but what happens when nobody does anything for a particular episode?
So… I can only ignore this for now. I’m going to concentrate on the writing part and see what happens. Don’t expect anything soon.
I’ve been missing for most of this week and what a week of problems it was.
First, tried to get this site working with Feedburner. Figured gaining a few pennies via the RSS feeds would be worth it. The plugin THEY recommended broke the entire site. Thanks to @ncartmuseum for coming up with a fix.
Secondly, was trying to experiment with Zotero to see if it can offer a new feature for newcurator. It seems the people who have managed to get Zotero to post a Wordpress post with every clipping are using some form of witchcraft. I wasted a day despite my best efforts.
I shouldn’t be surprised. I still can’t get my Delicious.com saved bookmarks into a daily post.
Thirdly, Wordpress pushed an update that cause catastrophic problems with my lovely theme. Literally, the whole thing went down. It makes you wonder that Wordpress, one of the biggest providers of blogging software, would tell people about the little changes that causes their plugins and themes to break everything in sight. Thanks to @firetail for this solution.
Lastly, I have had to do all this with a delightful sickness that made walking across the room a trial. So I was bedridden, wondering what I did for everything to crumble about my ears. Hence the lack of any serious amount of blogging. I’m feeling a little better now, but do plan to spend the weekend recovering and catching up.
Like this, something I wanted to do as soon as I heard: My thoughts go out to the friends and family of Officer Stephen Johns and everyone at the United States Holocaust Museum. I read this today from their twitter:
Despite our grief and outrage we reopen our doors today-June 12-and every day after with a renewed commitment to the urgency of our mission.
It’s been a tough week. My silly little grievances pale in comparison to the loss of a hero in the line of duty. This weekend, everyone take a moment, recuperate, reflect so we come back Monday better than ever…
Because of the urgency of our mission.
It seem people prefer my longer-form articles, so I’m going to change things around a bit. I plan to write longer posts from now on, expanding on ideas a bit further than my “research notes” style posts I’ve done in the past. I will still do a few of those when needed.
New features I’ve just put in are Tumblr and delicious. The theory behind these is that I’m often finding images and articles I can’t fit into the NEWCURATOR editorial but are still worth looking at. The Tumblr (which I imagine will be mostly images) will be stuff offered without comment and pushed into a widget in the sidebar. The delicious will be articles I’m reading, digested into a daily link post into this blog.
I haven’t linked the Tumblr to twitter, because I saw it annoying some people. If it would, speak up and I’ll leave it as it is.
Feel free to follow/befriend/network the Tumblr and delicious accounts on just grab the feeds. There aren’t any rules like I do with twitter. Everything is being fed into Facebook.
Last week, I made a call out for a web app coder/programmer. I know I was vague on details at the time because I hadn’t fully formed the idea.
I spoke to 8 people about it. 8 people have all rejected/pulled out for a variety of reasons.
So now, I’m going to describe the idea as best I can (remember, I am no programmer) and kick the idea out there to see what happens.
This idea/design/thing (and only this idea) is going under a Creative Commons Attribution-Non-Commercial-Share Alike 3.0 Unported Licence. This means I want you to share this idea, remix this idea, tell people where you got this idea (preferably a link), not to try to make money from this idea and give whatever you make from this a CC license as well.
The rest of this blog is under All Rights Reserved, Copyright, Voodoo Curses etc.
So I’ll begin.
MUSEUM BAILOUT
Through no previous planning or collaboration, both me and Nina Simon made a call for people to sign up to a Brooklyn Museum membership because of the recent news of them having quite a large budget cut. Turns out we made quite an impact. I saw that it was retweeted a lot. Which got me thinking. So much news about the doom and gloom of the financial state of museums, not much news about how we can fix it (bar wishing for handouts). Not many of us can conjure up several million to plug a hole in a museum budget. But several million of us could conjure up a little bit of cash that could go a long way to improving things.
This requires some activism. It requires a people-sponsored bailout of our museums.
At least this bailout won’t go into an undeserving executives bonus. Even better, you actually get something back! You get to be part of something and they give you stuff in return!
I notice how almost every museum has a membership program. I also notice how these are often tucked away in the corner of a website. I also notice there seems to be nothing anywhere looking like a directory of membership plans.
The Webapp would be a way to promote as many museum’s membership plans as possible in the simplest way. I think its better if I describe the process:
-A Museum Membership Officer (or similar) registers on the site.
-They are validated, probably through making sure the email is the museum’s own domain.
-The Museum then logs in, fills out a form of all their membership details. (name of member, length of time, costs, benefits etc) and links to website where you can sign up. This avoids the potential mess of trying to trying to mash together checkouts/credit cards/billing operations.
-Museum adds its location to a Google map.
-User goes to app, looks up town/city etc…
-User finds locations of nearest museum locations.
-User clicks on museum location, brings up separate database entry (So the “map tag” is a link to something else, not having just text attached to the “map tag”. This is because more clever things may be required later)
-User looks at a Museum’s membership details. Clicks a link to Museum’s own membership website
-For the sake of analytics and maybe learning something from the numbers, the Museums get stats on how many people clicked their map tag, or looked at their membership plans, or clicked on the link to their own Museum’s website.
-User then signs “pledge” to promise to buy membership X from museum Y, using email and CAPTCHA as validation to avoid spam. This looks like a petition. Name, Email (not to be shown), age, location, drop-down menu of museums, then a secondary drop down menu of there different plans.
-This then forms a big list of people promising to buy a membership. “Jeff promises to buy an 1stfans membership from Brooklyn Museum” etc. I know this isn’t exactly accurate, but this way doesn’t require any linking to Museum’s own billing system and also doesn’t require the Museum to report back with confirmations (because they probably wouldn’t anyway). This is why we’re planning on tracking promises, not sales.
-User then gets little badge/widget saying that the are supporting the museum bailout with a membership X to museum Y. They can put this on their blog/myspace etc. This is to spread the word.
-Here’s a TRICKY BIT. There should be a big running totals/stats on the front of the app. A total of every “pledge”, so 10 people promise to buy 10 memberships costing $100 each, there’s a thing on the front saying “Museum Bailout Total Promised $1000″ or something or “10 promises so far”. These number could possibly go onto the widget. Then there’s a big list of people’s promises.
That’s it. Essentially a big directory of museum membership information, a Google map, a widget and a petition. There’s a lot of scope of adding extras, like a delicious.com/digg feed of new reports on museums financial plight (to remind us why we’re doing this), or signing the pledge with a twitter account means (with your permission) you tweet “I will buy this membership” or something, or make the whole thing a facebook app.
Please, by all means spread this idea. Whilst I do want to hear from you if you plan to do something with it, please don’t email me saying “I’m interested in doing this” and then email me a bit later saying “Sorry, can’t do it”. If you’re serious, then I’m serious and will help any way I can and will blog the hell out of it (as will, I imagine, lots of others). In fact, contact me with something approaching a working beta. Put questions into the comments below.
I am, as always, reachable via pete(at)newcurator.com
Newcurator.com is going on hiatus for this week. I have all kinds of things to do as well as work on two interesting projects. I’m rarely going to be at the computer for most of it so I figure it would be best to have a week off than try to squeeze in rushed posts.
I will still probably kick about on twitter and, as always, I’m reachable at pete(at)newcurator.com
ArtFriday is still going to be on.
As you may have noticed, newcurator was done for the best part of three days.
“Bandwidth Exceeded” is an odd badge of honour. It shows that a lot of people are interested and the numbers of readers are steadily growing.
The problem is that all this is coming out of my own pocket and I don’t get paid for this. The only income stream so far are the Google Ads and the bookshop. (Every Ad click make me happy. The bookshop may go as nobody uses it)
So when I’ve used up my monthly allowance, I’m not in a position to really put more money into upgrades. Not yet anyway.
So, thank you for being patient for my return and putting up with my abuse of twitter in that time.
Also, expect odd and curious ways that I’ll try to make this website pay for itself.
Newcurator.com t-shirts?
100 posts in 49 days. I would like to take a moment for this small landmark achievement for me. Thank to all those who visit and commented and all those who follow me on twitter and retweet my stuff. Big shout out to Julia Kaganskiy (@juliaxguila) who seems to give me five more followers every time she mentions me. I would struggle if I knew nobody was reading this. Thanks to the guest posters who account for six out of the 100. Thank to all those who link to me, especially Nina Simon, who when she first mentioned me in her blog absolutely destroyed my bandwidth for the month.
In order to keep this post relevent, here’s some links I’ve been reading and from interesting today and can’t add any additional comments.
The video from the Museum Association sparked a huge response, partly as the Museum of Modern Art in New York asked it to their 3000 followers.
Here are the ones I’ve managed to collect.
Mine: To provide meaning.
Beth Dunn of Small Dots: To tell us our own stories, and the stories of others.
tahlib: The single most important function is to preserve cultural history.
Andreas Backoefer: Thinking about “ästhetische Autonomie” and create the “differánce”
Tiberious: preserving and displaying historical artifacts…as a means to educate the public and provide concrete truths about our history…
Krutcha: to advance progress through accumulating preserving sharing and passing by the creative knowledge to the future generations
RichardMcCoy: To provide first-hand experiences with cultural property.
Juliaxguila: To educate, challenge and inspire (also mentioned in the video). But I like @RichardMcCoy’s answer, too.
Margue: transmit and transform.
TheWomensMuseum: The single most important function of museums is to take content and present context that inspires and invites conversation
Paulastudio: to quench the thirst of souls and awaken the the parts of them that are asleep.
OhThatLaura: To enrich the lives of visitors through careful cultivation and presentation of works by different masters of artistry.
Lowconcept: Museums should strive to find the ideal balance between preservation for future generations and access for the current one.
stalyn: function is to inspire & educate. (yes really, it is that simple).
lauraah: To provide access and open eyes, to educate and foster discussion and opinion.
mjkopa: To create communities around historic and artistic objects.
Abi_Annette: to inspire understanding of our past and present.
LucieConnors: Make visitors think for themselves by creating thought provoking exhibitions, create a space for the circulation of ideas.
5easypieces: Museums should be a stage upon which a multiplicity of interactions can occur.
MattressFactory: to provide more questions than answers.
erickogelschatz: To inspire creativity
lauraloveslux: A museum’s most important function is to provide deep aesthetic respite & contemplative space to city dwellers.
chris_walsh: Museums have reponsibility to make preserved work available to the public; hopefully new media can further that mission!
rentonhistory: to document, preserve, and research, and *then* to engage the public in conversations informed by that work.
jeffrey_r: Preservation and access
I use these three sources: The Guardian’s Arts & Heritage page, museumjobs.com and the University of Leicester’s Department of Museum Studies job desk. Make sure you quote the original source in your application.
Hearing a lot about a plane crashing into the Hudson River near the Intrepid Museum.
I’m currently looking at the Intrepid’s webcams to see if anything is happening.
I use three main sources for online museum job hunting.
The Guardian’s Arts & Heritage page, museumjobs.com and the University of Leicester’s Department of Museum Studies job desk. There are hundreds upon thousands of job listing services out there, but these three do something right.
For one, there are few agency positions. These are job coming through a third party to which you have to sign up to them to get any information etc. They are also clearly marked out, so if you don’t want to, you don’t have to waste your time with them. The job postings are (mostly) international, so they’re not entirely closed off. The information is quite thorough. You will find very few “TBC” or “Depending on experience” when it comes to salary, or finding out the job is part-time/pro-rata at the very last moment of application.
From these sites, I’ll collect the best vacancies of the week and post them here. I’ll include salary and contractual status but any futher information will be linked to. I will tend to look at mid-range positions, so no directors/heads and no part-time receptionists. I will post the occasional internship if its interesting enough.
Make sure you quote the original source of the job when applying.
Thus began Culture Job Friday.