ArtFriday

Posted by Pete on March 20, 2009 at 2:14 pm.

Here’s the New and Improved ArtFriday. I think we can call this experiment a Win. The ArtFriday social network is coming along nicely. People are using it and making connection. If you are an artist of any kind and want to join in, send me an email (with maybe a link to something you’ve done) to pete(at)newcurator.com and I’ll send you instructions.

On with the show. Click the thumbnails to enlarge.

cosmic strings : biocosmic by Stella Untalan Gassaway

cosmic string : biocosmic by Stella Untalan Gassaway.

A Super Polar Bear by Maja B. Jancic

A Super Polar Bear by Maja B. Jancic

The Garden Club by Victoria Trinder

Untitled (exposed) by Sarah Davis

Untitled (exposed) by Sarah Davis

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biocosmic : New Curator : ArtFriday says:

22 March, 2009 at 7:06 pm

[...] the post here: /2009/03/artfriday/ Blogged with the Flock Browser [...]

Looking at the future of museums, through changes and trends in architecture, individualism, internationalism, expansionism, politics, presentism and technology

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  The Six Questions for a Paramodernism 1. The capitalism question. 2. The race question. 3. The ownership question. 4. The justice question. 5. The politics question. 6. The liberalism question.
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  Research on urban space makes attempts to go beyond the current polarizing discussion of its future (Harlander and Kuhn 2003: 225) that, on one hand, highlights the negative aspects of downtowns' loss of civic purpose, social centrality, surveillance-free spaces, non-commercial festivities, and local cultural establishments while, on the other hand, celebrating an increase in urban diversity, urban uses, everyday appeal, and public optimism with regard to city cores (Breuer 2003b; Selle 2002).
- We've Got a Plan | Indianapolis Museum of Art Blog 2009/12/12
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  One set of issues raised frequently in discussions about museum participation in Wikimedia projects relates to rules that Wikipedia has established that were designed to prevent self-promotion, ensure articles only reference reliable sources, and establish levels of 'notability' for things that get their own article, to cite some examples. These policies are perceived to have perverse effects when the subject matter is a museum artifact with largely internally held, unpublished documentation and the editor contributing the article is an in-house expert

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