ArtFriday

Posted by Pete on April 10, 2009 at 12:57 pm.

Every Friday I ask my little artist community to show me what they’re doing or what they’ve done recently. Then I show you.

If you want to be part of this artist community and have your work shown on ArtFriday, email me (ideally with a sample of your work/your website) pete(at)newcurator.com to receive instructions.

On with ArtFriday.

Anti-Convulsant Wrist-Warmer by Inny Murnane

Anti-Convulsant Wrist-Warmer by Inny Murnane

Normandy by Patti Maciesz

Normandy by Patti Maciesz

Shimmering Leaves by Deborah Eileen Burrow ©

Shimmering Leaves by Deborah Eileen Burrow ©

Rare earth : emergent spring five by Stella Untalan Gassaway

Rare earth : emergent spring five by Stella Untalan Gassaway

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Brainstorm 2.0: First Experiment. « IngridNation says:

27 April, 2009 at 9:56 pm

[...] featured on New Curator’s ArtFriday post a couple of weeks ago, and before posting it, Pete at New Curator asked me how it was [...]

Looking at the future of museums, through changes and trends in architecture, individualism, internationalism, expansionism, politics, presentism and technology

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My Name is Pete and you can email me: pete (at) newcurator.com

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- polis: a blog about cities: Six Questions for a Paramodernism 2009/12/12
  The Six Questions for a Paramodernism 1. The capitalism question. 2. The race question. 3. The ownership question. 4. The justice question. 5. The politics question. 6. The liberalism question.
- Pablo Markin's Research Notes on Art Museums and Biennials: On the Crisis of Public Space in the Twentieth Century 2009/12/12
  Research on urban space makes attempts to go beyond the current polarizing discussion of its future (Harlander and Kuhn 2003: 225) that, on one hand, highlights the negative aspects of downtowns' loss of civic purpose, social centrality, surveillance-free spaces, non-commercial festivities, and local cultural establishments while, on the other hand, celebrating an increase in urban diversity, urban uses, everyday appeal, and public optimism with regard to city cores (Breuer 2003b; Selle 2002).
- We've Got a Plan | Indianapolis Museum of Art Blog 2009/12/12
  Step 1: We broke the IMA apart into 10 different marketing categories. Step 2: We did a modified S.trenghs W.eaknesses O.pportunities T.hreats (SWOT) analysis for each. Step 3: We listed 10-20 marketing objectives for each of the categories. Step 4: We identified the target audiences for each category. Step 5: We crafted the Messages for each of the categories. Step 6: We identified available media and created strategies for implementing and integrating Messages across the channels. Step 7 (Current stage): It’s now time to take the marketing plan to our colleagues in other departments and get their feedback.
- Center for the Future of Museums: The Museum of the Future—your vision reflected here? 2009/12/11
  So, I predict that the museum of the future will be: 1) Green. 2) Personalized. 3) Comfortable. 4) Interactive. 5) Flexible.
- Wikimedia Foundation projects and the museum community | conference.archimuse.com 2009/12/11
  One set of issues raised frequently in discussions about museum participation in Wikimedia projects relates to rules that Wikipedia has established that were designed to prevent self-promotion, ensure articles only reference reliable sources, and establish levels of 'notability' for things that get their own article, to cite some examples. These policies are perceived to have perverse effects when the subject matter is a museum artifact with largely internally held, unpublished documentation and the editor contributing the article is an in-house expert

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